Tetsuhiko Asai Video Archive
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Kumite training must involve no friendship

"Kumite training must involve no friendship. There is no friendship in fighting someone, so if you want to learn karate as true bujutsu (martial arts) you must train with a serious spirit, right from the onset of your training. For example, when doing yakusoku-kumite, the attacker must aim to hit the defender. They must attack from the correct ma’ai, not too far away, and not too close. This is the most basic point in kumite training, if people do not follow this precisely, they will be completely wasting their practise time. Obviously one must use commonsense when training with someone much less experienced, or physically weaker, but at a high-level, there is no excuse if you cannot handle someone stronger. When defending and counterattacking you must not be afraid, you must foster a spirit of `no fear’. Enter into range without pre-conceived thought, this was my way when I used to compete. I didn’t care, I just reacted. This is essential and needs to be fostered in all karateka. This why I am always teaching that running away is more dangerous, go inside. Everything is step-by-step, but for instructors, there is a responsibility to be strong both physically and mentally. Fortunately most are strong, but some are using age, or high rank, as an excuse, and this is not acceptable. Higher level karateka must rely on superior technique, regardless of age, to overcome strength, size and youthfulness. This is karate, and this is the purpose of all technical skill. Instructors must self-train everyday!"

T. Asai

Asai's phrase 'no friendship' does not mean hostility toward a training partner — it means honesty. In yakusoku-kumite, a half-hearted attack teaches nothing: the attacker must genuinely try to hit, from the correct ma'ai, and the defender must answer without flinching, or both partners waste their practice time. The same honesty applies to defence — Asai warns against running away and urges students to go inside, entering range without pre-conceived thought, because hesitation is what makes a counter fail. The passage also sets a standard for instructors: strength, physical and mental, is a responsibility, not an option, and age or high rank is no excuse for letting it slip. The remedy he prescribes is daily self-training — the instructor must keep practising, so that technique, not size or youth, is what overcomes a stronger opponent.

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Tetsuhiko Asai was born on June 7, 1935, in Ehime Prefecture, on the island of Shikoku in Japan.  He began studying karate at the age of twelve, training at a dojo near his home. At high school he also practised judo and earned a second dan grade, so his early years were shaped by two martial arts at once. The combination of judo's throwing and grappling with karate's striking gave his later karate an unusual range.   After school he moved to Tokyo and studied at Takushoku University, where he became one of the leading members of the university karate club. He was a flexible, fast-moving fighter, and he developed a distinctive counter of his own: diving low beneath an opponent's kick and striking back before the opponent could recover. He called this movement the "submarine," and it made his name known across the karate world. The video below shows Asai in a kumite demonstration from 1987. Source: the official biography of Tetsuhiko Asai, International J...

Asai karate video collection

http://master-karate.ru/video.html This video is devoted to Asai karate video collection. This video is part of the Asai kata collection, an archive of seminar and training footage connected with Tetsuhiko Asai's school of karate. Asai-Ryu is rooted in Shotokan and enriched with principles of Chinese White Crane kung fu, and the material collected here shows how that approach is taught and practised in the dojo. The collection is updated every week with further kata and seminar recordings. This video belongs to the Asai karate video collection, an archive of seminar and training footage connected with Tetsuhiko Asai's school of karate. The recordings in this collection show the same principles across many settings: basics, kata, kumite, and teaching, all performed with the relaxed power and precise timing that characterised Asai's karate. Watch each recording more than once — the first viewing gives the shape of the performance, and later viewings reveal the details of foo...

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